Advanced alternate picking requires mastering two distinct movements when changing strings:
Moore's use of legato playing can be heard in songs like "The Thin Line" and "Call of the Wild."
True sweep picking requires a fluid, continuous motion where the pick "falls" from one string to the next, resting briefly on the subsequent string before it is struck. 3. Neoclassical Linear Phrasing and Scale Choices
Moore was known for having one of the "cleanest picks" in the business. The book pulls back the curtain on his mechanics. You will explore pivot licks (which maintain a position while the hand pivots to adjacent strings), tapping licks (including two-handed techniques for wide intervals), and rigorous picking exercises designed to build up your alternate picking precision. vinnie moore advanced lead guitar techniques pdf
Only the very tip of the pick should make contact with the string to reduce drag and resistance. Inside vs. Outside Picking
The harmonic minor scale (1, 2, b3, 4, 5, b6, 7) is the definitive sound of neo-classical metal. The major 7th interval creates a sharp, tense resolution to the tonic note. Moore uses this scale over dominant V chords in minor keys (for example, using E Harmonic Minor over a B7 to Em progression). Phrygian Dominant Mode
Advanced Lead Guitar Techniques is a must-have for anyone looking to master: Speed and Accuracy Neoclassical/Rock Melodic Theory Sophisticated Soloing The book pulls back the curtain on his mechanics
Another advanced technique employed by Vinnie Moore is tapping. This involves using both hands to play notes on the fretboard, creating a wide range of tonal colors and textures. Moore often uses tapping to add a sense of drama and excitement to his solos.
These involve using a "pedal" note (often on a higher string) that you "pivot" back to between other melodic notes, a hallmark of neoclassical lead playing. Triad Superimposition:
: Picking four notes up, stepping back one note, and picking another four notes (e.g., 1-2-3-4, 2-3-4-5, 3-4-5-6). Inside vs
Moore often overlays a minor triad over a different root note to create sophisticated extensions (e.g., playing a C Major triad over an A root to imply an Am7 sound).
To play like Vinnie, you must master "outside picking" when changing strings. This involves picking the bottom string with a downstroke and the next string with an upstroke, creating a "bracket" around the strings. 2. Linear and Vertical Arpeggios
Moore utilizes economy of motion, especially on three-string minor and major triads.